Archive for November, 1999

‘Face’ of Pulse finds in Kits a ‘New World’ of work, play in Kitsilano

Monday, November 29th, 1999

Sun

The Pulse new-home project, a seven-storey concrete structure of 74 homes – 72 apartments and two townhouses – is a socially sanctioned addition to the streetscape on West Broadway.

The households in these two apartments will be across-the-hall beighbours on three of the seven Pulse floors.

The Bastion development company has flagged the imminent release of the Pulse homes with an arresting advertising campaign — arresting for what’s there and what’s not. There’s a young woman’s face behind a pair of Vivienne Westwood sunglasses, but no couples on scooters or bikes, at table or at market, in a pool or on a beach anywhere.

The face belongs to Lubica Parilakova, a member of Bastion’s marketing department.

Here, she writes what she and Bastion hope her image — and Pulse — personify: “Kits.

I love Kitsilano. There is no other place I would rather be. Screeching seagulls, enchanting seascapes, happy dogs on the beach, determined joggers, salty air on bare skin, wind in the hair are just a few strokes defining the unique attractions of the neighbourhood.

I am constantly torn between a desire to live centrally and a desire to live ‘socially,’ to live, in other words, in a community in which people still greet each other on the street by name. Kitsilano meets both needs.

I am from Stropkov, a history-rich, small town in Slovakia. Only five years ago, I was helping my family collect the annual harvest, reluctantly, and between university exams.

This is not to say my family is made up of devoted agriculturalists. It is to report, however, that the land we were working was taken from my great-grandfather by the Communist regime and only recently returned. Suddenly a family of intellectuals could experience, unmetaphorically, what toiling the soil was all about.

When I left Slovakia, I left as a nanny or, in Canadian government nomenclature, a live-in caregiver. I left with a limited work permit and a determination to earn permanent resident status.

Today, I am a Bastion development company marketing director — and, in our advertising campaign, the face — mostly, the half-face — of Pulse.

We named this project Pulse because the street on which it is located, Broadway, reminds us of an artery, whose role is to distribute freshly oxygenated blood, spreading vitality and life throughout the organism.

Ever since coming to Vancouver, I wanted to be part of the vibrant Kitsilano — a beer at the King’s Head Pub, a glass of wine at the Watermark, a cappuccino at Epicurean, always in the company of friends, always casually assembled, on a minute’s notice or during a shopping expedition along West Fourth or an evening jog.

More than anything, I wanted to feel accepted and stylish without artifice — no hours in front of the mirror applying deceitful layers of makeup.

Is that ‘lifestyle’? Well, it certainly is a style of living to which I aspired.

Today, I live in Kitsilano and work in Kitsilano, and most importantly, many of my great friends live here as well.

The unexpected chain of events that eventually put my face on a billboard at Broadway and Maple started in the Smoking Dog Bistro.

While still a nanny, feeling isolated in West Vancouver, I decided I might improve my chances of meeting new people by working as a volunteer in the Campoverde Social Club, near the Smoking Dog.

When I came over to Kits for the interview, I saw the man I was then dating and his dog sitting on the Smoking Dog patio.

The dog recognized me immediately; his master pretended he didn’t. For good reason: He was on a date with somebody else.

My heart pounding, I took a deep breath and walked into the ring of fire to say hallo to the lovely couple.

The scene that followed could be described as serene and peaceful. We introduced each other and started casual small talk, a calm scene crackling with intensity.

All of a sudden, my then dating-object excused himself and went off to the bathroom … never to return … leaving his ‘other’ girlfriend and me to ourselves.

Another Smoking Dog patron noticed our discomfort and invited us both to a party in his nearby apartment, his motive more or less to see what would be the next chapter of a very real reality show.

Of course, we passed the rest of the evening drinking and comparing ‘our personal diaries’ — and creating a lasting friendship. Through this bond I was introduced into the Bastion orbit.

Life happens when you open yourself up to it, no more so than in Kitsilano.

To the question — What happened to the boyfriend’s dog? — Lubi Parilakova says, Buy the Book!

© The Vancouver Sun 2007

 

New federal energy program helps homeowners upgrade

Monday, November 29th, 1999

Sun

If you’re planning to renovate your home, don’t reach for the hammer until you’ve checked out the new federal home energy program.

The EcoENERGY Retrofit from Natural Resources Canada (NRCan) went into effect April 1, and has some significant differences from the EnerGuide for Houses Retrofit Incentive that was cancelled last year. It still requires an independent energy evaluation of your home both before and after the renovations — the evaluation is no longer paid for by the program (it will likely run you approximately $300, depending on your home) — but there’s a list of standard grants available for specific renos, which makes it easier to plan your budget.

If you’re installing a certified heat recovery ventilator, for example, you’re eligible for $300; improving your attic insulation could net you $100 to $600. And, for the first time, alternative energy sources such as solar hot water heating, and grey water heat-recovery systems are part of the program.

According to the government, 17 per cent of all energy used in Canada goes to running our homes. Reducing that energy not only helps the environment, but it could mean big savings on your energy bills — an average of 35 per cent annually if your home’s more than 25 years old.

In most cases, expensive renovations such as replacing siding or windows aren’t worth doing solely for their potential energy savings.

However, if you’re re-siding anyway, it’s a great opportunity to add insulation to the house exterior. And if it’s time to replace your older windows, you can choose energy-efficient new models such as double-paned, low-E, energy coated versions. But you don’t need to tackle big renos to receive a big payback.

Draftproofing your house can work wonders, as can adding attic insulation and choosing Energy Star-rated products such as appliances.

If you’re building a new house or embarking on a renovation, it’s worth looking into alternative energy sources such as solar thermal systems for heating water — they’re now eligible for grants.

For more information, go to NRCan at ecoaction.gc.ca or call 1-800-O-Canada

© The Vancouver Province 2007

 

ABC

Monday, November 29th, 1999

Province

ABC

Tentative deal returns low-income accommodation

Monday, November 29th, 1999

Maurice Bridge

Sun

VANCOUVER – Nearly three dozen single occupancy rooms are soon expected to come back on the market in the Downtown Eastside following a tentative deal reached over the weekend between a group of developers and a non-profit property management company.

The units are vacant and awaiting renovations in the 46-unit Carl Rooms building at 575 East Hastings. Only 11 people remain in the building.

David Eby of Pivot Legal Society, an advocacy group which assists residents of the area and brokered the deal between the owners and Atira Property Management, said the model is a good one. He said Monday it could be applied to similar single room occupancy buildings to help preserve the shrinking supply of housing for those at the lower end of the economic scale.

“I think there’s a lot of potential for other people who have bought these [kinds of] buildings and want to hold them for investment purposes, but want to keep them running and recognize the responsibility to keep the people in the building, ” Eby said in an interview Monday. “They’re very difficult buildings to run, theses SROs.” He said the issue came to a head recently when Pivot began representing one of the remaining tenants, who had been given an eviction notice. Pivot decided to take the matter to arbitration and soon received a call from the building’s owners, 0773477 B.C. Ltd.

Wendy Pedersen of the Carnegie Community Action Project called the tentative deal “a small victory” in the city’s larger battle against homelessness.

© The Vancouver Sun 2007

 

Movies on cellphone: Smaller not better, but pretty darn good

Monday, November 29th, 1999

TECHNOLOGY. New Bell Mobility service shrinks the big screen for wireless generation

Peter Wilson
Sun

Bell Mobility’s new service offers up movies on a small, small screen: the cellphone. Photograph by : Glenn Baglo, Vancouver Sun

As Johnny Depp, channelling Gloria Swanson in Sunset Boulevard, might say: “I am BIG. It’s the pictures that got small.”

How small? Well, to use a technical term from the digital revolution, let’s just say the pictures have become teeny tiny.

Especially when it comes to watching a major motion picture on a cellphone, a not-to-be-missed experience that has just arrived in Canada.

By my measurement, the entire available viewing area of Pirates of the Caribbean: Dead Man’s Chest, as seen sprawled across the screen of a Bell Canada wireless phone, is a stunning 1.25 inches wide by an entire one inch tall.

Well, avast, me hearties and pass the tankard of Visine, as we buccaneers often say.

But, hey, when it comes to digital content served up in a whole new medium, does size really matter?

That was the question I asked myself recently as I tackled back-to-back viewings of the swashbuckling epic starring Depp — first on a Bell-supplied Samsung a920 wireless phone. Following that, I took another look at it on a 50-inch high-definition television supplied by, well, me, who recently bought the set for a needy loved one (again, that would be me).

The reason I was able to carry out this compare-and-contrast exercise at all was that Bell Mobility has just launched a service — the first in this country — that allows users to watch entire full-length movies on some of its wireless phones.

Why? Because, according to Bell Mobility’s president Wayne Oosterman, as quoted in a press release, this new venture shows that “the wireless phone has become the device of choice to deliver a full range of music, video and other entertainment to people on the go.”

Well, okay — I have to admit he has a point about people on the go. I wouldn’t want to take my 50-inch LCD set on the bus with me. Or to the beach. Or even down the hallway to the bathroom.

So score one on that for Bell, although the “device of choice” bit does seem to ignore the influence of the iPod just a touch.

Anyway, let’s begin by saying that setting up the whole movie-on-a-cellphone thing was dead easy.

First I downloaded the movie player. Then I thumbed my way through the listings of films priced at either $5.99 or $7.99, with titles ranging from the aforementioned Pirates of the Caribbean 2, to Spider-Man 2 to Charlie’s Angels: Full Throttle to some rather vintage offerings like Dick Tracy and Ghostbusters.

I took a quick look at Spider-Man 2, but since I’d seen it already on a home screen, decided to go for Pirates of the Caribbean: Dead Man’s Chest, which would be an all-new experience.

In no time, for $7.99 (had I been paying), it was ready for viewing largely because the movie doesn’t get streamed to your phone. Instead you download it as it goes along. And you don’t have to pay for airtime if you pay for the Bell Mobility’s Unlimited Mobile Browser at $7 a month.

My first observation was that the auditory experience, especially if you opt for the earbuds, is excellent. Every creak of the oars, clash of steel on steel, shriek of pain, under-the-breath mutter was rendered superbly. Even with just the phone’s built-in speakers, the sound was up to snuff (as we pirates like to say.)

For the visual side of it, however, I did require seeing aids. This is the first time in my life I have watched a full-length movie wearing my reading glasses.

The first thing I noticed was that the opening scenes of Dead Man’s Chest were just a touch murky. I had a little trouble figuring out what I was seeing. And there was the odd dropout and freezing of the picture.

But in no time, once things brightened up on the screen, I was involved in the story — such as it is, which isn’t Bell’s fault — and followed along, while simultaneously keeping an eye on how fast the phone battery was draining, which was pretty quick.

As you might have guessed, you are not going to get the wide-screen wrap-around experience on a wireless phone. Instead, what you have is the old pan and scan that we all know so well from the days when the biggest TV sets outside of bars were a sensible 27 inches and nobody ever heard of anything called letterboxing.

That being the case, we can’t exactly call wireless movie-watching a visual experience or anywhere near what the moviemakers originally intended, but it does give you the essence of what’s happening. And you can sort of fall under its spell.

On the other hand, the 50-inch screen — with bands of blank screen at top and bottom because of the letterboxing — does give you pretty much the full eyeball wallop from edge to edge.

I could also shake one entire floor of my house with the surround sound, had I wanted, rather than just turning up the volume on the earbuds and risking instant hearing impairment.

So — no gasps of surprise here, me hearties — given the choice ($5.25 for a seven-day rental at the local video store), I’ll take the DVD experience every time.

But then I’m old enough to have watched Depp in 21 Jump Street when it first aired and probably am not the target audience, which is likely people who want to watch a movie during high school mathematics class.

So to them I say, go get that phone, download the movies, watch them closely and enjoy.

And if you want to watch a 50-inch screen, don’t worry. Your parents will pay for that.

© The Vancouver Sun 2007

 

Restaurateur fired up with new offering

Monday, November 29th, 1999

Ken Oda rebounds from a devastating experience by opening a new Japanese restaurant filled with good cheer and jazz

Sun

Three years ago, Ken Oda opened his first restaurant and he was content. So, too, were his customers. Then disaster, about a year after Dan Japanese Restaurant opened.

“Very suspicious,” he says, of what occurred, “but I guess I don’t know.”

Fire, which started outside, ripped through the restaurant, and suddenly he had no restaurant while the landlord sorted things out. You could call it a cruel irony that ‘dan’ means ‘warm’ in Japanese.

The wait would eventually stretch to 18 months so he and his wife Tomoko returned to their native Japan to work and wait it out. He cooked at a couple of restaurants and one happened to be an Italian place. Not surprising, then, that Italian ways occasionally tip-toes into his dishes.

The udon with clam sauce on the specials list one evening, for instance, was like a lost-in-translation linguine vongole. Come to think of it, Oda looks a little like a Japanese Todd Bertuzzi.

The clam udon was delicious, but mostly, Oda sticks to Japanese tradition, with a tweak here and there. Most dishes are well under $10 and arrive on Japanese pottery dishes.

The small selection of sushi features fresh seafood and good rice. He’s fussy enough to prefer imported Japanese seafood to some West Coast versions. Japanese octopus, he says, is completely different from local, and he prefers it for his sushi.

The sashimi plate (a special one evening for $24) gets a reluctant nod — the tuna was beautiful, as was the spot prawn and flounder, but the salmon was slightly mushy, as if it were improperly frozen previously.

Speaking of fire, I was surprised at the blazing hot chawanmushi, which scorched my mouth but the texture remained soft and delicate — amazingly. Agedashi was gently handled, harmonizing fragile flavours.

I wasn’t enthralled when he wandered off course with a tempura dish — the Dan kakiage. Chopped scallops, prawns and vegetables were balled up into a too-dense tempura. The beauty of tempura is the delicate shattering of the outside batter to get to a simple, single ingredient inside.

He flirts with disaster with the Dan spring roll, mixing tuna, salmon, Japanese basil and brie cheese (of all things) for the filling but he pulls it off. The brie turns liquidy, dissociating itself from cheese.

I had a duhhh moment over the Sansho steak. The menu said “grilled beef steak with Japanese pepper corn” with a space between the pepper and corn. Ahh, peppercorn, I realize when it arrives. Not pepper and corn. The peppercorn sauce was quite interesting, and I mean that in a good way.

Dan is a friendly place, filled with good cheer and jazz. The entry area, though, needs decluttering. The newspaper fronts displayed there might have meaning but they do nothing for first impressions.

The rest of the space is clean and modern and brand-spanking new. Long-lost customers are returning and he’s happy again.

– – –

DAN JAPANESE RESTAURANT

Overall: 3 1/2

Food: 3 1/2

Ambience: 3 1/2

Service: 3 1/2

Price $/$$

2511 West Broadway. 604-677-6930. Open 7 nights a week, 5 to 10:30 p.m.

Restaurant visits are conducted anonymously and interviews are done by phone. Restaurants are rated out of five stars.

© The Vancouver Sun 2006