Developers and builders of new-home projects typically pull
out all the s t o p s to move t h e i r products, with artfully done up sales
centres and brochures and print advertising campaigns to get media and buyer attention
for their projects.
Not so with 42-year-old developer James Schouw — a Westcoast
Homes unknown despite working as a developer for the past seven years in Vancouver’s
Yaletown neighbourhood.
Schouw has always sold his apartments by word of mouth.
But with two homes in a 71-residence development, at Richards
and Drake, unsold, the doors were finally opened to The Vancouver Sun to see exactly
what this young developer has been offering his high-end customers.
Behind the massive wrought iron gates, past the fingerprint
recognition security — believed to be the first of its kind in a North American
multi-residence building — and into the inner sanctum of Grace the answer
is quickly apparent: These are unique homes for the very wealthy which offer voluminous
space, light and a high level of craftsmanship.
These are undeniably dream homes and they were conceived by
Schouw, who prides himself in being involved in every aspect of the project from
the design conception to final construction. So who is Schouw? His first-ever
media release describes him as “ an artist, green-minded builder, philanthropist
and community visionary.”
Born in Winnipeg to an artist mother and architect father, Schouw
grew up appreciating both occupational paths of his parents. His life now reflects
both of their influences by creating buildings that are artistic residential landmarks
for the city.
“My motivation when I got into multi-family residences
was creating exclusive, character-specific custom homes that would have the same
feel and amenities as a ( detached) custom home,” says Schouw, who lives
in Grace with his girlfriend and three dogs — a golden retriever, a cocker
spaniel and a pomeranian.
“It’s important for me to be involved throughout
the process and to see what I’m building because it is my own home.”
Before moving into his two bedroom, he lived at the nearby Iliad.
With only 11 suites and known locally as the “gargoyle building,’’
Illiad Schouw’s his first multi-family residence for Vancouver.
Plans are already under way for his company to build two more
buildings in Yaletown. No doubt they too will stand out in dramatic contrast to
the glass towers one typically sees in downtown Vancouver.
The last two suites available at Grace, a 3 0 - storey tower
in Yaletown, offer city views and a rare opportunity to own in this unique multi-family
residence.
The 71-unit condo has sold entirely by word of mouth, with only
two suites remaining in the second and final phase.
They are a sixth-floor suite for $1.849 million and a 16th-floor
suite at $2.165 million.
Not yet on the market, the final offering at Grace by the developer,
James Schouw and Associates, will be a three-level penthouse. This home will likely
be marketed for nearly $15 million upon completion in 2009.
Schouw, who lives in the project himself, says building a oneofa
kind residence to the highest standards possible, was the driving force behind
Grace.
“I didn’t want to come off that we skimped anywhere,”
he says, pointing out a high quality went not only to what is visible in the suites
but what isn’t seen as well.
For instance, the Grace was the first high-rise in Vancouver
to have an energy efficient geothermal heating and cooling system.
And it is believed to be the first condominium in North America
with a fingerprint recognition security system, also known as biometric security.
There’s also high density drywall on both sides of the
suites making it virtually impossible to hear the neighbours.
The architecture, designed by Schouw, is not one typically seen
in Vancouver which he describes as “robust.”
Adding to the unique exterior detailing are four larger than
life female forms, described as the “ four winds” created by artist
Derek Rowe.
The entrances, both front and back, are grand with wrought iron gates and winding
paths that lead you past landscaped courtyards.
The front entrance has a dramatic 30-foot gate and threestorey
arched breezeway. There’s also a series of terraced gardens. The gardens,
created in the first phase, were awarded Best Garden in Downtown Vancouver by
the Vancouver park board and the Vancouver Garden Club.
The interiors are also different from the norm with a blending
of modern and traditional design. For instance in the ensuites an old-fashioned
claw foot tub is paired with a contemporary frameless glass shower and subway
tiling. There’s also a handbuilt teak wooden vanity evoking old-world charm.
“I like to do a modern interpretation of classical materials,”
says Schouw. “Character is really key in what we do. It has to be distinctive.”
Known for being willing to take risks and innovative design,
Schouw has taken a new approach to the bathrooms. There is no door between the
washroom and the bedroom. Instead, for privacy a partially frosted glass door
conceals the toilet.
Schouw explains the idea behind this design was creating a sense
of openness in the ensuite.
“I like to push the openness to the next level. We’re
already used to open concept rooms ( in the kitchen/ dining/ living area) so why
not make that space ( in the bathroom) as spacious as possible.”
Schouw believes this idea will catch on in the future with other
condo developers, most of whom have embraced open concept design in the kitchen
/ living areas.
“In my perfect world I’d live in a wide-open 2,000
sq. ft. studio apartment,” he says.
The Grace has recently been nominated for three Georgie awards,
including Innovative Community Design.